马克‧蒂奇纳尔

马克‧蒂奇纳尔1973年生于卢顿,先后在赫特福德郡艺术及设计学院(1991-2)及中央圣马田艺术与设计学院(1992-5)就读,现于伦敦生活和工作。

蒂奇纳尔的作品探讨信念与信仰的规律,所使用的媒介多样,包括雕塑、装置、数码印刷,以至录像。其主要特色是使用现成文本,这些文本来源甚广,包括企业宣言、广告、歌词、哲言等。每一个选用的口号也要得观众注意,号召他们采取行动或作出反省,比如作品《未来需要你的参与》(2006),纵使文本脱离了原来的语境,失去了原意,但却敦促观者积极参与,使他们在不知原因或目的之情况下达致超然的境界。蒂奇纳尔作品探讨大众接受思想意念的不同途径,其作品中独特的字体风格带有虚幻气质,而灯箱的使用更加强了这种催眠效果,就像人们在巴士站看灯箱广告一样。

蒂奇纳尔2006年在布里斯托的阿尔诺菲尼艺术中心举行了个展,同时获「特纳奖」提名。其他个展有:「奔跑吧,黑河,奔跑吧」(波罗的当代艺术中心,盖茨赫德,2008);「生气但不要没了呼吸」 (「现在艺术」计划,泰特英国美术馆,伦敦,2003)。联展包括:英国艺术展VI巡回展(2005);「露面」(当代艺术中心,伦敦,1998);「生命/生活」(ARC,现代艺术博物馆,巴黎,1996)。

Mark Titchner

Mark Titchner was born in Luton in 1973. He attended Hertfordshire College of Art and Design from 1991-2 before going on to study at Central St Martins College of Art and Design from 1992-5. He lives and works in London.

Titchner’s work explores faith and belief systems. He works in a range of media from sculptures to installations, digital print to video. A central feature of his work is the use of found text, which Titchner lifts from a wide range of material such as corporate manifestos, adverts, song lyrics and philosophy. Each chosen slogan demands the viewer’s attention, often calling for action or reflection as in The Future Demands Your Participation (2006). The text, now out of context from its original source, lacks its original meaning yet urges the viewer to engage and have some sort of transcendence without really knowing why or what for. Titchner’s distinctive graphic style also has a hallucinatory quality and is made all the more hypnotic by being illuminated in a light box, just as you might find an advertisement at a bus stop, exploring the different ways in which people receive thoughts and ideas.

Titchner was a Turner Prize nominee in 2006 for his solo exhibition at Arnolfini, Bristol in the same year. Other solo exhibitions include Run, Black River, Run, BALTIC Centre for Contemporary Art, Gateshead, 2008 and Be Angry But Don’t Stop Breathing, Art Now, Tate Britain, London, 2003. Group shows include the British Art Show 6, which toured in 2005; Surfacing, Institute of Contemporary Art, London, 1998 and LIFE/LIVE, ARC, Museum of Modern Art, Paris, 1996.